tag:blogger.com,1999:blog-5913752433926766420.post9205083422938356967..comments2024-03-28T06:31:28.770-07:00Comments on Bobby Owsinski's Big Picture Music Production Blog: 4 Reasons For Effects ProblemsUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5913752433926766420.post-69982647288012315862014-07-29T09:52:23.174-07:002014-07-29T09:52:23.174-07:00Yes, usually you want the compressor and distortio...Yes, usually you want the compressor and distortion early in the chain and effects later.Bobby Owsinskihttps://www.blogger.com/profile/05885584132164492190noreply@blogger.comtag:blogger.com,1999:blog-5913752433926766420.post-84563761141689826922014-07-28T22:33:02.626-07:002014-07-28T22:33:02.626-07:00Thanks for the refresher. I use a POG, where woul...Thanks for the refresher. I use a POG, where would you put that in the chain? I currently utilize In this order all with bypass switching 14 separate channels-powered a 1.Keely compressor (as quiet as they come but still noisy) 2. envelope filter 3. POG 4. three different boosts 5. 3 different delays 6. Chorus--- The compressor and boosts add a lot of noise, everything else is quiet as can be, even when I have them set with no discernible difference in volume from amp/w/ pedal on or off.<br /><br />So... Is my chain ok or should I switch, for live? I have had several touring techs tell me that I'm correct. Your thoughts?<br /><br />BillAnonymoushttps://www.blogger.com/profile/00464171230931657959noreply@blogger.com