tag:blogger.com,1999:blog-5913752433926766420.post4201629774779971738..comments2024-03-28T06:31:28.770-07:00Comments on Bobby Owsinski's Big Picture Music Production Blog: Jimi Hendrix "Fire" Isolated Guitar TrackUnknownnoreply@blogger.comBlogger3125tag:blogger.com,1999:blog-5913752433926766420.post-71015426262593552802013-08-07T00:19:21.346-07:002013-08-07T00:19:21.346-07:00At first I thought it was an octave but I think th...At first I thought it was an octave but I think the bass part is in here as well right?Anonymoushttps://www.blogger.com/profile/11141095066460310642noreply@blogger.comtag:blogger.com,1999:blog-5913752433926766420.post-34285680883864630912013-08-06T03:32:13.296-07:002013-08-06T03:32:13.296-07:00The verb also seems to have a bit of a delay, mayb...The verb also seems to have a bit of a delay, maybe 500ms?Anonymoushttps://www.blogger.com/profile/17535795183112344556noreply@blogger.comtag:blogger.com,1999:blog-5913752433926766420.post-54750774962252645632013-08-05T11:50:00.415-07:002013-08-05T11:50:00.415-07:00I think the only credible reverbs available in the...I think the only credible reverbs available in the late sixties were spring reverbs. There were some primitive electronic boxes and a few years later we had flangers (replicating Leslie speakers) and tape based systems. I suppose players like Hendrix had access to some stuff most of didn't. I remember banging into my Fender Twin a few times and having the reverb springs crash, making a horrible racket. I remember trying to incorporate them in amp feedback was a mushy sounding disaster for me.Anonymousnoreply@blogger.com