You may not be aware of it yet, but 3D audio may be the next big thing. What is 3D audio, you might be asking yourself?
It's what will accompany the graphics in the new virtual reality headsets like the
Oculus Rift, the
Microsoft HoloLens or
Sony Project Morpheus. In an immersive graphics world our normal 2D audio just isn't enough, so that world has to be expanded to 3D to keep up with the visuals.
In staying on top of the trend, the
Audio Engineering Society has introduced a new standard called
AES69-2015 which provides a framework for binaural and 3D personal audio products. This format describes both the format and exchange of spatial acoustics files.
3D audio isn't just for virtual reality headsets, as everything from smartphones to tablets to anything that employs a headphone system will soon be employing it in some fashion.
The lack of a standard protocol meant that binaual sound data, expressed as a head-related transfer function (HRTF), made it difficult for developers to exchange algorithms, thus slowing the development of the sector and keeping those algorithms proprietary.
Among the things that AES69-2015 supports include:
- a description of the HRTF measurement setup
- consistent definitions of the metadata
- the ability to describe multiple conditions like the number of listeners and distances in a single file
- predefined descriptions for the common measurement setups, which are now called "conditions"
3D audio may not be something that touches you now, but it's a growing sector of the industry and one to keep an eye on as virtual reality grows. It very well become be a new source of work for audio professionals in the future.
