Tears For Fears "Shout" Isolated Vocals

Tears For Fears "Shout" was a huge worldwide hit in 1985 and still enjoys widespread airplay on classic rock radio everywhere. The song was eventually released in 15 versions by the band, but the one with the isolated vocal track that we'll look at today was from an extended dance mix. Here's what to listen for:

1. The vocal has what sounds like a very bright AMS RMX16 reverb that sounds like it's set to the Non-linear preset so it sounds like there's a gate cutting off the tail.

2. TFF are known for their very precise recording techniques and usually don't let anything get by, but you can hear some iffy vocals especially at 0:48 on "violent" and also whenever there's a low note in the verse. You never hear it in the final mix, and that's what counts.

3. The chorus is doubled first by singer Roland Orzabal and then later with bandmate Curt Smith doing the counterpoint.

4. There's a lot of compression on the vocal, especially on the higher phrases, in order to keep the lower intensity phrases the same level as the higher ones.

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Bobby O's Top 5 Audio Products Of 2014

There are always a number of new audio products that stand out from crowd, at least for me, and I'd like to solute some of them in my first annual Top 5 Products list. I'm going to list the pieces in no particular order and tell you why I thought they were cool.

SSL XL-Desk - A new console featuring 500 series slots. How cool is that? Of course this concept was no big deal in the 60s and 70s when a number of console manufacturers operated using cartridge modules, but few modules were interchangeable between manufacturers then. Now they are, making the XL-Desk very flexible.

Sample Magic Magic AB plugin - Anyone thats mixing knows that it can be a pain to easily A/B you mix against another. Magic AB makes this easy, since it's a plugin that goes across your stereo buss and allows you to compare up to 9 different songs, as well as loop them at just the right points, and precisely match levels.

PreSonus StudioLive RM - The PreSonus StudioLive console provides a tremendous bang for the buck, but one of the cooler features is how it can be remotely controlled from a laptop or iPad. PreSonus takes this concept one step further with the StudioLIve RM by providing just the I/O and leaving the control to your laptop or a specially built touch sensitive surface. The fewer controls, the less you pay, and it's so cool to use something so futuristic as well.

UAD AMS RMX16 - You might say that the RMX16 was the sound of the 80s in that it was part of the drum sound on so many hit records, especially those coming out of England. Universal Audio released a plugin version of the reverb a few months ago (coded by the original designer of the RMX16) and it sounds so much like the hardware version that it's scary. Just dial in the Nonlinear or Ambience setting and you'll know what I mean.

Blue Mo-Fi Headphones - The world of monitor speakers changed for the better when powered monitors became the norm, and now the same thing may be on the horizon for headphones as well, thanks to the Blue Mo-Fi's. It has three selections - using the built-in amp in the headphones, bass boost, or bypassed so it works like a normal headset. This is another one under the category of, "Why didn't anyone think of this before."

Special Mention: Audionamix ADX Trax - This is the software that so many of us have wanted for so long. It allows you to precisely isolate a vocal from a finished stereo mix, then raise and lower the level as needed. I don't know how they do it, but it's very cool indeed.

These products really caught my attention this year, but there are lots of others that are worthy of inclusion as well. I'm sure you have your own top 5 and I'd love to hear them. What did I miss that was cool?

New Music Gear Monday: UAD AMS RMX16 Plugin

There is so much new gear coming out for the upcoming AES show that it's an exciting time. One of the things I'm most excited about is the new AMS RMX16 plugin for the Universal Audio UAD platform. The original hardware box had a very distinctive sound that, along with the SSL 4k buss compressor, is really the sound of the 80s in many ways.

The algorithms in the RMX16 plug are exactly the same as the hardware unit, and includes those wonderful Ambience and Non-linear programs that we all used so much way back then. There are also a number of features that are unique to the plugin that weren't on the original hardware unit like dry/wet mix, wet solo, and much easier editing.

The plugin costs $349, and of course, you need a UAD-2 DSP card or Apollo interface. Check out the video below that features Mark Crabtree, the original designer of the RMX16.

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