Wow, talk about an old grump. In this video, Red Hot Chili Pepper Chad Smith tries to interview Cream legendary drummer Ginger Baker. If not for Jay Bulger (the film maker who did Ginger's film Beware of Mister Baker) trying to translate, the interview would be even more uncomfortable than it is.
I found that the only way I could watch this all the way through was to put it on double speed, but eventually he does get to some interesting stories.
FYI, Ginger was just diagnosed with a "serious heart problem" and had to cut his tour short. It may mean the end of his playing days.
Staying with our beginning-of-the-week theme of analyzing songs, here's "Tell Me Baby," a cut by the Red Hot Chili Peppers from their number 1 Stadium Arcadium album of 2006. We're going to feature the vocals and drums from this song as two excellent examples of modern production techniques.
1) Anthony Kiedas' vocals have come a long way since the Pepper's first began in 1983 and this track is a great example. Although musically it's not very challenging, Anthony's performance is flawless, which is exactly what you'd expect from a big budget major label album.
2) The ad lib at 3:08 is the only part that sounds like it might be left from a scratch track. Notice the paper rustling in the background.
3) I always felt that the mark of a good vocalist is how well he can sing harmonies, even with himself. You'd be surprised at how many pretty good lead singers just cannot hear a harmony to save their lives. In Tell Me Baby, listen to Anthony's layered background harmonies on the choruses at 1:30 and 2: 30 and the outro on 3:26. Once again, they're perfect without sounding like they were cut and pasted. He's singing lots of naked 5ths, which many vocalist have a hard time hearing.
4) The outro has a couple of additional instruments with the appearance of udu drum and maracas.
5) Not much to say about the great Chad Smith's drumming on the second video except that he's as solid as it comes while playing a groove that might challenge other drummers. It's as perfect as a loop, yet breathes like a real drummer, which is exactly what you want from a drum track.
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