With vinyl albums coming back in vogue again, most legacy bands are reissuing their catalog on good old fashioned 12 inch records. Iron Maiden is no exception, and recently went to Abbey Road Studios to have their entire collection remastered. Here's a video that shows you a bit of the famed studio's mastering suites as well as the story behind the project.
Anyone that's really into Maiden can find the boxed set here. It makes a great Xmas gift for that metal head or vinyl junky in your life.
My post regarding the isolated guitar tracks from Iron Maiden's "The Trooper" drew a great response yesterday, so here's the isolated drum track as well. Who knew there were so many Maiden fans out there? Here are some things to listen for.
1) I'm not sure how the drums were recorded, but the sound is very "old school" in that it almost sounds like a stereo pair of overheads and a kick drums mic, perhaps augmented with a snare mic. The toms sound a little distant compared to the kick and snare, which is usually a sign that most of the sound coming from overheads.
2) There's not a lot of snap on the snare, which indicates that a bottom mic probably wasn't used.
3) The performance is fairly consistent, but there are a few fills (like around 2;05) that seem rushed. That being said, this is a very complex beat that drives almost non-stop for 4 minutes. You've probably never heard anything seem rushed in the song when listening with the rest of the instruments, which is why it's so dangerous to listen to isolated tracks in the studio while you're recording. You can always find something not to like about an other otherwise great performance.
4) There's a lot of reverb on the drums, but it never gets in the way because both the high end and low end is filtered. This is a great trick that used to be a lot more commonly used than it is today.
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Here's a dose of metal for your Holiday Monday with the isolated guitar tracks from Iron Maiden's "The Trooper." The song is from Maiden's 1983 album Piece Of Mind and is featured in Guitar Hero II. Here are some things to listen for.
1) Each guitar part is doubled pretty closely, which thickens an already thick sound considerably.
2) To eliminate guitar amp noise, producer Marin Birch used a noise gate the the tracks, which you can hear working during the verses.
3) In an excellent bit of mixing technique, take notice that the solos are up the middle to stay out of the way of the rhythm guitars, and also have a slightly different tone to differentiate them more.
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You should follow me onTwitter for daily news and updates on production and the music business.