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Showing posts with label Nielsen Soundscan. Show all posts
Showing posts with label Nielsen Soundscan. Show all posts

Friday, November 14, 2014

Engineer/Tech Writer Barry Rudolph On The Latest Inner Circle Podcast

Bobby Owsinski's Inner Circle Podcast
The great engineer and tech writer Barry Rudolph is my guest on the latest Inner Circle Podcast. You may know Barry from his many gear reviews in magazines like Mix and Music Connection, but he's been an A-list engineer in LA for a long time. Barry will tell us all about recording some iconic acts like Rod Stewart and Lynyrd Skynyrd, as well as his take on the latest audio gear.

In the intro I'll talk a little about how SoundScan works to get your album on the Billboard charts, and some effective pre-production techniques to make your next production project go a lot smoother.

Remember that you can find the podcast either on iTunes or at BobbyOInnerCircle.com, and now also on Stitcher.
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Tuesday, February 8, 2011

A Look At 2010 Music Sales

One thing that puts the music business in perspective is a look at the sales. Although Nielson Soundscan's numbers aren't the be-all, end-all, they do provide a pretty good idea of what's going on in our business. Here are a few fun facts about US music sales for 2010. The percentages are against those of 2009.

  * Overall Album Sales - 326.2 million units; down 12.7%
  * Physical Album Sales - 240 million; down 19%
  * Digital Album Sales - 86.3 million; up 13%

  * Digital Track Sales: 1.172 billion; up 1%
  * LP/Vinyl Sales: 2.8 million; up 14%

  * Digital formats accounted for 46% of all music purchases; up 40%
  * Digital album sales accounted for 26% of all album purchases; up 20%

If you look at the sales numbers, you very well can get the feeling that the industry is heading off a cliff, but there is a bright side. There were over 326 million albums sold (240 million of them CDs), and over a billion digital singles. That's still a huge amount of music that's being consumed. So while the numbers may never be what they were, it's still a huge business that's far from dead.
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Don't forget to check out my Music 3.0 blog for tips and tricks on navigating the music business.

Wednesday, January 6, 2010

2009 Music Sales At An All-Time High


Yes, you read the title correctly. 2009 US music sales hit an all time high according to Nielsen SoundScan, with total sales of over 1.5 billion, up 2.1% over 2008.

Despite reports of the album's demise, the format sold 373.9 million (which is still a very substantial figure), but individual digital track sales are even better with more than 1.1 billion in 2009, up 8.3% from 2008.

Read the rest of the post on my Music 3.0 blog.

Wednesday, June 17, 2009

More Albums Released Now Than Ever According To Nielsen Soundscan


According to the latest study from Nielsen Soundscan entitled "Measuring Music Consumption," 105,000 new albums were released in 2008. This number was up from 80,000 releases in 2007.

Imagine that - 105,000 album releases in a single year!

The problem is that only 950 of them sold more than 25,000 units, and those 950 were responsible for a full 82% of all new release sales! Of the albums that were released in a digital-only form, they accounted for only 1.8% of all the sales - a mere 2.8 million units.

So what were the big sellers of 2008?
Lil Wayne at about 2.9 million
Coldplay at 2.2 million
Taylor Swift at 2.1 million
AC/DC with 1.9 million
Metallica with 1.6 million

These 5 releases totaled 2% of all sales last year.

The stats in the Nielsen report are very telling about the music industry. Here are some observations:
  • With 105,000 album releases a year, it's almost impossible to get traction unless you have a big machine behind you.
  • Of course, none of the top 5 albums were independent releases, and probably won't be in the immediate future either.
  • There's no point in releasing an album unless it's in a physical form. Digital albums just aren't selling well.
It's getting more and more difficult to get separation from the crowd in Music 3.0. While everyone thinks that the democratization of music has leveled the playing field, it's really leveled it too much. Unfortunately, you still need the machinery of a label to get anywhere, at least for the time being, according to the figures in this report. Will 2009 be the year that an artist can really break through on his own? We're half-way through and so far the answer is a resounding "No!"

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