For centuries acousticians have argued over the secret to the excellent acoustics at the amphitheater of Epidaurus in Greece.
Crowds of up to 14,000 people have been able to hear the actors and musicians perform in the theater completely un-amplified, even in the back row, but yet science has been able to say exactly why that was possible.
The amphitheater, which dates back to the 4th century BC, is a masterpiece of architecture by Polykleitos the Younger, but its acoustics have never been duplicated (even by Polykleitos) regardless of the increasing sophistication of measurement equipment at the disposal of the modern acoustician.
Researchers at the University of Georgia have finally unlocked the secret though - it's all in the seats!
In findings presented in an issue of The Journal of The Acoustics Society of America, the scientists involved in the research found that the limestone used in the seats provide filtering and absorption, thereby decreasing crowd noise and low frequencies that might interfere with the performance. All the frequencies below 500Hz are attenuated.
That's not all. It seems that the slope of the seats reflect the high-frequencies back towards the audience, making it easier for them to distinguish the sounds of the performers.
Then there's the fact that corrugations of the seats act as bass traps, which then lead to the listener filling in the frequencies psycho-acoustically, just like what happens when listening to an MP3.
So lets see - absorption, bass traps, reflection angles - sounds like modern recording studio building techniques to me. It just goes to show that no matter how things evolve, they still manage to stay the same.
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Showing posts with label acoustics. Show all posts
Showing posts with label acoustics. Show all posts
Thursday, November 19, 2015
Wednesday, July 24, 2013
The Acoustic Window Innovation
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| The Diffraction Resonator Window |
The diffraction resonator window increases the isolation of a common double pane glass window by 30dB at frequencies between 200Hz to 5kHz, and 20dB below that. It even allows air inside while keeping sound out. The window is made from an interesting mesh of metamaterials designed as tiny Hemholtz resonators (bass traps).
At first glance it might seem that the increased isolation of the diffraction resonator window is what's acoustically attractive, which it is. But the other part that's really cool about it is that you can now have lots of glass in the studio and not have to worry about its reflective properties the way you do with normal glass, since it's absorbing those reflections while leaving light, and even air, in.
There's no word on when the diffraction resonator window will hit the market, but they're supposedly fairly simple to manufacture. That means that we may soon see lots of natural light in future studios everywhere.
If you're interested in improving the acoustics of your studio, check out The Studio Builder's Handbook. You can read some excerpts at bobbyowsinski.com.
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