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Showing posts with label drummers. Show all posts
Showing posts with label drummers. Show all posts

Tuesday, December 29, 2015

The Neuroscience Of Drumming

The neuroscience of drumming imageMost of us have heard this drummer joke - Q: "How do you tell if the stage is level?" A: "The drool comes out of both sides of the drummer's mouth."

Drummers have long been the brunt of many musician jokes and have been depicted as being only slightly smarter than the drums they're hitting, but a number of new studies show that quite the opposite may be true - the drummer may actually be the smartest musician on the stage.

A Swedish study at the Karolisnka Institutet in Stockholm shows "a link between intelligence, good timing, and the part of the brain used for problem-solving." As a result, drummers "might actually be natural intellectuals."

Another by Baylor neuroscientist David Eagleman in conjunction with producer Brian Eno discovered not only a huge difference in brain activity from the random test subjects, but the fact that drummers have different brains from everyone else. What's more, their ability to keep time helps them perceive the natural timing of the world around them that others, even other musicians, miss.

What many researchers have found is that drumming is actually therapeutic and can release endorphins that's become known as a "drummer's high." Oxford psychologists have also found that the positive emotions gained from drumming leads people to work together in a more cooperative fashion.

Here's a bit from an interview with The Clash drummer Topper Headon about therapeutic drumming.



The moral is to treat your drummer with respect. He or she just might be smarter than you.


Wednesday, November 13, 2013

The Secret To Great Drum Recordings

The Recording Engineer's Handbook 3rd edition image
The drum kit usually gets the most attention in most sessions because just about all modern music is rhythm oriented and highly dependent upon the drums for song’s pulse. In fact, in most rock, pop, r&b and country music, a wimpy sounding drum kit equates to a wimpy track, and that’s why we’re dedicating an entire chapter just to recording drums. Here's an excerpt from the newly released 3rd edition of The Recording Engineer's Handbook that unveils how to obtain a reference point of how the drums sound in the room, along with some general drum miking considerations.

"As a general starting point before you even begin any complex drum miking, it’s important that you get a good picture of what the drum kit sounds like. To do this, try the following:

1. Go out into the room with the drums and have the drummer play the song that you’re about to record. Note the tone of the drums.

2. Place a single mic eight to ten feet in front of the kit at about the same height as drummer’s head. A large diaphragm condenser will work nicely for this. 

3. Record the kit for a minute or two.

4. Listen to the playback. Is the set balanced or do one or two drums or cymbals stand out? 

This will give you an idea of what the drum kit sounds like and what the issues may be when you begin recording, which now allows you to compensate by drum tuning, mic selection, or placement.

General Considerations
Here are number of things to consider that generally apply to just about any drum miking setup. 
  • Microphones aimed at the center of the drum will provide the most attack. For more body or ring, aim it more towards the rim.
  • The best way to hear exactly what the drum sounds like when doing a mic check is to have the drummer hit the drum about once per second so there’s enough time between hits to hear how long the ring is.
  • Try to keep any mics underneath the drums at a 90 degree angle to the mic on top to keep the acoustic phase shift to a minimum.
  • Most mics placed underneath the drums will be out of phase with the tops mics.  Switch the polarity on your preamp, console or DAW and choose the position that has the most bottom end.
  • Try to keep all mics as parallel as possible to keep the acoustic phase shift to a minimum.
  • The main thing about mic placement on the drums is to place the mics in such a way where the drummer never has to be concerned about hitting them.
  • The ambient sound of the room is a big part of the drum sound. Don’t overlook using room mics where possible."
To read additional excerpts from The Recording Engineer's Handbook and other books, go to the excerpts section of bobbyowsinski.com. For a more detailed video version of the book, check out the Audio Recording Techniques course on Lynda.com.  Get 7 days free of unlimited access to lynda.com
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Sunday, September 4, 2011

Carmine Appice On Jon Bonham

Thanks to my bro Ronnie Ciago (who's a great drummer in his own right) for this video. You always think of Led Zeppelin drummer Jon Bonham as being the guy who influenced a generation (going on 2) of drummers, but who where his influences? In this video, drumming great Carmine Appice gives a behind-the-scenes look.


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