Get This Free Cheat Sheet Guaranteed To Help Your Next Mix

Showing posts with label stage monitors. Show all posts
Showing posts with label stage monitors. Show all posts

Tuesday, October 28, 2014

3 Steps To A Quick Onstage Monitor Mix

Stage Monitor image
It's time to mix a live show and you find you have the thankless job of mixing stage monitors from your front of house position. Don't pull your hair out. Use this quick method to get up and running while keeping the band happy in virtually no time at all.

This method assumes there's only one monitor mix instead of multiple mixes. Here's what to do:

1. Have everyone in the band raise their hand.

2. Tell them to lower their hand as soon they can hear themselves in the monitor.

3. Begin to increase the send of each instrument one by one. Continue to increase until the player lowers his hand. Proceed to the next instrument.

You might still have to tweak the mix a little afterwards, but you'll find that you'll have a workable monitor mix in just a couple of minutes.

You can find more tips like this, as well as a great overview on how to use the PreSonus StudioLive console, in my PreSonus StudioLive Handbook.

Read excerpts from this and my other books on the excerpts section of bobbyowsinski.com.
----------------------------------

Wednesday, March 26, 2014

5 Factors When Choosing In-Ear Monitors

Being Fitted For In-Ears
It's amazing at the extent that in-ear monitors (or IEMs) have taken over in live sound. Today you can go to any club and be assured that at least one of the musicians on stage will be wearing them.

While mixing in-ears is a whole different ballgame, there's a larger issue that musicians must deal with before they even hit the stage - how to choose the right one. The Aviom blog recently posted a nice article on choosing a set of in-ears, but I thought I'd put my own spin on it.

1. True in-ears are not ear buds. They're only the same in the fact that they go inside your ear and that's where the similarity ends. In-ears are designed for high volume levels and have the ability to withstand a lot of vibration without dislodging.

2. Do you really need wireless? If you're a keyboard player that stands at your rig and doesn't move much, a wireless setup might be a waste of money. It would be better to spend the extra cash on a better set of in-ears than on the wireless part of the rig.

3. Do you need them custom-fitted or is a universal fit sufficient? Custom molded IEMs require a visit to an audiologist, and provide better isolation and sound quality. They're also more expensive. Universal ones are sharable (as long as you use clean tips) and less expensive.

4. Do you need multiple drivers? Many IEMs are available with specialized drivers similar to the woofer and tweeter of a speaker cabinet. Some people feel this provides better clarity, while others don't feel the extra technology is worth the extra cost.

5. Check the specs. While the differences in most specs are small, be aware that both the sensitivity and impedance specs directly translate to the amount of power that will be required. A set of in-ears with a high sensitivity and low impedance will be louder than one with either lower sensitivity or higher impedance.

In general, IEMs are just like monitor speakers. The better they are, the more you can hear and the longer you can listen to them without ear fatigue. You're usually better off spending the money on the IEMs first and foremost, then adding the wireless portion later if needed.

Check out Westone, Ultimate Ears, and ineargear.com (among many others) for more info on IEMs.
----------------------------------

You should follow me on Twitter and Facebook for daily news and updates on production and the music business.

Don't forget to check out my Music 3.0 blog for tips and tricks on navigating social media and the new music business.

LinkWithin

Related Posts Plugin for WordPress, Blogger...