It's always cool to hear inside a song that you've heard so much over the years and today's isolated track is no exception. It's the lead vocal track from the new-wave classic "Take On Me" by the Norwegian synth-pop band A-ha.
The rotoscoped music video was a huge hit on MTV back when the song was released in 1985, but you still hear this record played a lot on the radio. Here's what to listen for:
1. The vocal range of singer Morton Harket is pretty evident, as he goes from his full voice in a lower register to a strong falsetto with ease (and no punches, as far as I can tell).
2. There's a lot of grunts, sing alongs and breaths between phrases, which we'd probably clean up if the song was recorded today.
3. Listen to the medium length delayed reverb. It sounds like it's band-passed using a technique like the Abbey Road Reverb Trick. The song was actually recorded at Pete Townshend's Eel Pie Studios (sadly now defunct).
4. You can hear the the 100Hz test tone as the song begins at 0:21 if you listen on headphones.
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Friday, September 4, 2015
A-ha "Take On Me" Isolated Vocals
Labels:
A-ha,
Eel Pie Studios,
isolated vocal,
video
Thursday, September 3, 2015
A Tour Of Universal Audio
I'm a big fan and user of Universal Audio gear and plugins, so I was fascinated by this video tour of the UA facility. It was shot by Vintage Audio and narrated by CEO Bill Putnum Jr, the son of the legendary engineer and inventor Bill Putnum. Check it out.
Labels:
Bill Putnam,
Universal Audio,
video,
Vintage King
Wednesday, September 2, 2015
A Guide On Where To Find Acoustic Panel Materials
I posted this about 4 years ago (has it been that long already?) but the question keeps popping up so here it is again. Where do you find ridged fiberglass (like Owens Corning 703) so you can build your own acoustic panels?
Most of the excellent acoustic materials won't be found at your local Home Depot, unfortunately, so you have to search a little. Here's an excerpt from The Studio Builder's Handbook that covers what material is available and where to find it.
"Acoustic panels can be made from a few different materials, some more effective than others. The difference in materials is not only the amount of absorption, but the absorption ability at different frequencies.
Owens Corning 703
As said in the previous chapters of the book, the standard for acoustic panels is Owens Corning 703, which you won’t normally find at Home Depot (see the graphic on the left).
Instead, look for a local supplier of “Industrial Insulation,” or an HVAC supplier, who should normally carry it. When asking for it at a specialty supplier, sometimes it’s called “industrial furnace insulation board.”
You can also find it online at a number of places including readyacoustics.com and gikacoustics.com among others.
703 costs approximately $12 a panel (sometimes more and sometimes less, depending on where you buy it) and comes in packs of six. Knauf ECOSE, Johns Manville, Roxul Safe and Sound, and Certainteed are the same kind of ridged fiberglass, and can be even cheaper than their Owens Corning equivalent. Just be sure that the thickness and density is the same. Try buyinsulationproducts.com.
Handling fiberglass can irritate your skin, eyes and respiratory tract, and the dust particles are so small that they can get trapped in the lungs and become carcinogenic in some people. That’s why it’s important to always wear gloves and a mask when handling it.
Mineral Wool
Mineral wool is another mineral fiber insulation product that works as a 703 or R 13 alternative.
It’s a lot less expensive than 703, and even has better absorption characteristics, but it can be a little harder to work with because it’s not as rigid.
Try Rockwool RWA45, RW3 or the ridged Rockboard 60, which costs about $35 for a package of 6 panels (see the figure on the left).
You may find Rockwool or mineral fiber at your local lumber supplier, or try online at atsacoustics.com, among other places.
Mineral wool is easily handled and does not cause any irritation to the skin, eyes or respiratory system like fiberglass does.
Ultratouch Cotton
Yet another alternative is Ultratouch cotton, which you might be able to find at Lowes or Home Depot. It’s about the same cost as rockwool and works almost as well, yet has none of the irritant properties of fiberglass.
You can also use it in place of R 13 or R 19 in your walls. It can also be found at sensiblesolutions.com online. What's interesting about this material is that it's basically recycled denim blue jeans.
Frames
Frames for acoustic panels can be made using 2 inch by 2 inch wood and then covering them with cloth to give them a very pleasant appearance (see the graphic on the left). This doesn’t have to be an expensive wood (pine will work), as it can be stained, covered with a wood trim or just covered with fabric.
The wood trim can be standard wall molding that can be purchased quite easily at any hardware store or big-box discount hardware store. Typically hardwood molding can be very expensive and run from $8 to $40 and up per linear foot, but try high quality pine molding, which is both affordable and looks fantastic once it’s lacquered.
You can rent a pneumatic air hammer at your local tool and building supply company for not much money on a daily rental. If you use this nail gun with very small one inch finish nails to attach the trim to the wall panels, you’ll have a very nice look on your finished work.
Fabric
Covering acoustic panels is pretty easy in that all you need is a material that easily passes audio. This can be almost anything from burlap (probably the cheapest) to even speaker grill cloth.
The best way to test it is to blow into it, and if you feel your breath coming through the other side, it should work.
Maybe the most expensive covering is by Guilford of Maine, but it has the advantages of being acoustically transparent and flame retardant as well as being available in a wide variety of colors. You can find it online at soundaway.com, acousticalsolutions.com, noisecontrolproducts.com, as well as many others.
All that being said, cloth is available in many thicknesses and densities and there should be lots of local outlets in your area where you can purchase it at a discount. Sometimes it works better if you have thinner cloth that’s wrapped several times for a few more layers.
Try doing a test panel first to see how the cloth will work for you. You may find it best to use the thinner more affordable cloth even though you probably will have to take the extra time to attach multiple layers."
To read additional excerpts from The Studio Builders Handbook and my other books, check out the excerpts section on my website.
Most of the excellent acoustic materials won't be found at your local Home Depot, unfortunately, so you have to search a little. Here's an excerpt from The Studio Builder's Handbook that covers what material is available and where to find it.
![]() |
| Owens Corning 703 compressed Fiberglass |
Owens Corning 703
As said in the previous chapters of the book, the standard for acoustic panels is Owens Corning 703, which you won’t normally find at Home Depot (see the graphic on the left).
Instead, look for a local supplier of “Industrial Insulation,” or an HVAC supplier, who should normally carry it. When asking for it at a specialty supplier, sometimes it’s called “industrial furnace insulation board.”
You can also find it online at a number of places including readyacoustics.com and gikacoustics.com among others.
703 costs approximately $12 a panel (sometimes more and sometimes less, depending on where you buy it) and comes in packs of six. Knauf ECOSE, Johns Manville, Roxul Safe and Sound, and Certainteed are the same kind of ridged fiberglass, and can be even cheaper than their Owens Corning equivalent. Just be sure that the thickness and density is the same. Try buyinsulationproducts.com.
Handling fiberglass can irritate your skin, eyes and respiratory tract, and the dust particles are so small that they can get trapped in the lungs and become carcinogenic in some people. That’s why it’s important to always wear gloves and a mask when handling it.
![]() |
| Rockwool acoustic material |
Mineral wool is another mineral fiber insulation product that works as a 703 or R 13 alternative.
It’s a lot less expensive than 703, and even has better absorption characteristics, but it can be a little harder to work with because it’s not as rigid.
Try Rockwool RWA45, RW3 or the ridged Rockboard 60, which costs about $35 for a package of 6 panels (see the figure on the left).
You may find Rockwool or mineral fiber at your local lumber supplier, or try online at atsacoustics.com, among other places.
Mineral wool is easily handled and does not cause any irritation to the skin, eyes or respiratory system like fiberglass does.
![]() |
| Ultratouch denim insulation |
Yet another alternative is Ultratouch cotton, which you might be able to find at Lowes or Home Depot. It’s about the same cost as rockwool and works almost as well, yet has none of the irritant properties of fiberglass.
You can also use it in place of R 13 or R 19 in your walls. It can also be found at sensiblesolutions.com online. What's interesting about this material is that it's basically recycled denim blue jeans.
Frames
![]() |
| Acoustic Panel Frame |
The wood trim can be standard wall molding that can be purchased quite easily at any hardware store or big-box discount hardware store. Typically hardwood molding can be very expensive and run from $8 to $40 and up per linear foot, but try high quality pine molding, which is both affordable and looks fantastic once it’s lacquered.
You can rent a pneumatic air hammer at your local tool and building supply company for not much money on a daily rental. If you use this nail gun with very small one inch finish nails to attach the trim to the wall panels, you’ll have a very nice look on your finished work.
Fabric
Covering acoustic panels is pretty easy in that all you need is a material that easily passes audio. This can be almost anything from burlap (probably the cheapest) to even speaker grill cloth.
The best way to test it is to blow into it, and if you feel your breath coming through the other side, it should work.
Maybe the most expensive covering is by Guilford of Maine, but it has the advantages of being acoustically transparent and flame retardant as well as being available in a wide variety of colors. You can find it online at soundaway.com, acousticalsolutions.com, noisecontrolproducts.com, as well as many others.
All that being said, cloth is available in many thicknesses and densities and there should be lots of local outlets in your area where you can purchase it at a discount. Sometimes it works better if you have thinner cloth that’s wrapped several times for a few more layers.
Try doing a test panel first to see how the cloth will work for you. You may find it best to use the thinner more affordable cloth even though you probably will have to take the extra time to attach multiple layers."
To read additional excerpts from The Studio Builders Handbook and my other books, check out the excerpts section on my website.
Labels:
acoustic material,
acoustic panels,
book excerpt,
OC 703,
Rockwool,
Studio Builders Handbook,
Ultratouch cotton
Tuesday, September 1, 2015
Does Songwriter Vocabulary Matter?
In a study looking at the largest vocabularies in the music industry, it seems that rappers take the cake. The Musixmatch lyric site found that 4 out of the top 5 largest songwriter vocabularies come from rap. Here's what they found.1. Eminem - 8,818 unique words
2. Jay Z - 6,899
3. Tupac - 6,569
4. Kenye West - 5,069
5. Bob Dylan - 4,883
It should be noted that many artist/writers like Bruce Springsteen don't make the list because they haven't granted permission for Musixmatch to use their lyrics.
There have been other studies that have looked at parameters like lyric density and intervals between new words, but this is the first to check overall vocabulary size.
The study looked at 93 top artists across 25 different genres that ranged from pop to new age.
Personally, I'd just prefer to listen and not analyze. Do you think songwriter vocabulary matters?
Labels:
Bob Dylan,
Eminem,
Jay-Z,
musixmatch,
songwriter vocabulary
Monday, August 31, 2015
L.A. Session Guitarist Gary Solt On My Latest Inner Circle Podcast
If you're ever been in the studio with a large orchestra, you know that it's an experience you'll not soon forget.
This week's guest Gary Solt has been the favorite guitar player for orchestra dates for dozens of movies and television shows, and he'll tell us what it's like to play with an orchestra both in the studio and live.
On the intro I'll take a look at the interesting answers coming from a Billboard survey of music industry execs, and the latest Logic Pro X update and what that might mean for Pro Tools users.
Remember that you can find the podcast at BobbyOInnerCircle.com, or either on iTunes or Stitcher.
This week's guest Gary Solt has been the favorite guitar player for orchestra dates for dozens of movies and television shows, and he'll tell us what it's like to play with an orchestra both in the studio and live.
On the intro I'll take a look at the interesting answers coming from a Billboard survey of music industry execs, and the latest Logic Pro X update and what that might mean for Pro Tools users.
New Music Gear Monday: Moog Music Animoog App
The iPad is becoming more and more powerful to the point where many are using it as a legitimate music creation device. Moog Music has further added to this capability with its new Animoog iPad app.
Animoog is powered by Moog's new Anisotropic Synth Engine (ASE), making it fully polyphonic and capable of dynamically moving through an X/Y timbre space.
It features a Timbre page, which provides a wide range of classic Moog synth and pedals sounds that are generated by ASE and not via sample playback.
It also features polyphonic modulation, polyphonic pitch shifting, a classic ping pong delay module, a "Thick Module" that provides bit crushing to unison voice detuning and drive, and the classic Moog 4 point filter.
That's not all. Animoog also has a Record Module that allows you to record your performance and overdub new layers on top, then transfer the recordings via the pasteboard. There's also a flexible modulation matrix, and MIDI In so Animoog can be controlled from a MIDI controller.
Moog Music's Animoog is available from the App Store for $24.99. Check out the video below for an example of Animoog at work.
Animoog is powered by Moog's new Anisotropic Synth Engine (ASE), making it fully polyphonic and capable of dynamically moving through an X/Y timbre space.
It features a Timbre page, which provides a wide range of classic Moog synth and pedals sounds that are generated by ASE and not via sample playback.
It also features polyphonic modulation, polyphonic pitch shifting, a classic ping pong delay module, a "Thick Module" that provides bit crushing to unison voice detuning and drive, and the classic Moog 4 point filter.
That's not all. Animoog also has a Record Module that allows you to record your performance and overdub new layers on top, then transfer the recordings via the pasteboard. There's also a flexible modulation matrix, and MIDI In so Animoog can be controlled from a MIDI controller.
Moog Music's Animoog is available from the App Store for $24.99. Check out the video below for an example of Animoog at work.
Labels:
Animoog,
iPad,
Moog Music,
synthesizer app,
video
Friday, August 28, 2015
The Who "Eminence Front" Isolated Keys
![]() |
| Note the VCS3 synth on top of the organ |
The keys are pretty buried in the song (although the sequenced synth carries it), so it's pretty interesting to hear just how intricate they are.
1. Listen to how the sequenced synth constantly changes throughout the song in both feel and timbre. This was supplied by Townshend's favorite: the EMS VCS3 (see the picture on the left). Unlike the way most sequencers are used in the studio, Pete Townshend's approach was totally unique in that a sequence never seems to repeat and it carries the rhythm of the song.
2. Likewise, the keys (electric piano and organ) also change with the different sections of the song. They're pretty loose parts in that you'll hear some mistakes (like the second verse around the 2 minute mark) here that you won't hear on the final mix.
3. The song is built around a primitive rhythm machine with is very apparent at the very beginning of the song, but fades into the keyboard mix to where you only hear the kick sound.
Labels:
EMS VCS3,
isolated keys,
Pete Townshend,
sequencer,
The Who,
video
Thursday, August 27, 2015
Apple Updates Logic Pro X
The big deal with 10.2 is that it adds Camel Audio's (which Apple purchased earlier this year) Alchemy synth. This is a synth with a wide range of talents, from creating sounds using samples and different kinds of synthesis, to multiple filters and modulation options.
Other than that, Logic Pro X 10.2 provides an easy way to distribute directly to Apple Music and its Connect feature, which was also introduced in a Garage Band update earlier this year.
This can be a big update if you want to load all 14 Gigs of available sound files, but be aware that they tend to lean more on the dance music/EDM side of things, which is great if that's what you need.
Here's a video that takes a look and listen to Alchemy.
Labels:
Alchemy synth,
apple,
Apple Logic Pro X,
update,
video
Wednesday, August 26, 2015
Using The 1176 - The Dr. Pepper Setting
The Universal Audio 1176 is one of the greatest compressor/limiters ever made and has been used on countless hits throughout its 50 year history. Here's one of the go-to settings that works like magic on either the hardware or the plugin version.
This is called the Dr. Pepper setting because it takes its name from the old soft drink commercials where it was "Pepper time" at 10AM, 2PM and 4PM.
This is one of the bonus tricks from my 101 Mixing Tricks coaching program. Get 4 more tricks at 101MixingTricks.com.
This is called the Dr. Pepper setting because it takes its name from the old soft drink commercials where it was "Pepper time" at 10AM, 2PM and 4PM.
This is one of the bonus tricks from my 101 Mixing Tricks coaching program. Get 4 more tricks at 101MixingTricks.com.
Labels:
101 Mixing Tricks,
101mixtrix.com,
1176,
compression,
Dr. Pepper setting,
video
Tuesday, August 25, 2015
Computer Or Bach?
Maybe the robots are finally taking over. Yale computer scientist Donya Quick has developed a program that can create pieces of music that are so close to Johann Sebastian Bach's work that people have trouble telling the difference.
She calls the program "Kulitta" and it can learn the music quickly and create new pieces on demand in a matter of seconds.
In tests over 100 students judged the pieces to be the work of a human, and even some of the experts were occasionally fooled.
Kulitta analyzes the works of a composer then applies the rules it's learned from them when creating a new piece of music.
The one thing it can't do is determine a good piece for a bad one, but that's such a personal thing that even us humans can't seem to agree on.
Quick looks forward to having Kulitta do mashups between genres, with her ultimate goal a combination of Metallica and Mozart.
Could this be a new income source for artists where your musical algorithm is copyrighted and new compositions are created for the listener on the spot? Time to bow to our musical overlords.
She calls the program "Kulitta" and it can learn the music quickly and create new pieces on demand in a matter of seconds.
In tests over 100 students judged the pieces to be the work of a human, and even some of the experts were occasionally fooled.
Kulitta analyzes the works of a composer then applies the rules it's learned from them when creating a new piece of music.
The one thing it can't do is determine a good piece for a bad one, but that's such a personal thing that even us humans can't seem to agree on.
Quick looks forward to having Kulitta do mashups between genres, with her ultimate goal a combination of Metallica and Mozart.
Could this be a new income source for artists where your musical algorithm is copyrighted and new compositions are created for the listener on the spot? Time to bow to our musical overlords.
Labels:
Bach,
computer science,
Donya Quick,
Kulitta,
video,
Yale
Monday, August 24, 2015
Room Tuning Expert Bob Hodas On My Inner Circle Podcast
This week I'm pleased to have on my podcast the go-to guy that studios big and small use to fix the sound of their rooms - Bob Hodas.
Bob has been tuning rooms for over 20 years and there's nothing he hasn't seen. From big commercial studios (like the famous Record Plant) to home studios to mobile trucks to dubbing stages to home theaters, Bob as tuned them all.
In this episode we discuss some of the common problems that listening environments have, as well as how he goes about tuning a room.
On the intro I'll take a look at the music video site Vevo and why Warner Music might finally sign on, and look a little into the pitfalls of self-production.
Remember that you can find the podcast at BobbyOInnerCircle.com, or either on iTunes or Stitcher.
Bob has been tuning rooms for over 20 years and there's nothing he hasn't seen. From big commercial studios (like the famous Record Plant) to home studios to mobile trucks to dubbing stages to home theaters, Bob as tuned them all.
In this episode we discuss some of the common problems that listening environments have, as well as how he goes about tuning a room.
On the intro I'll take a look at the music video site Vevo and why Warner Music might finally sign on, and look a little into the pitfalls of self-production.
Labels:
Bob Hodas,
Bobby Owsinski's Inner Circle Podcast,
BobbyOinnercircle.com,
room tuning,
VEVO,
Warner Music
New Music Gear Monday: Acoustic Power Lab APL1s Speaker EQ
Virtually none of us have a perfect listening environment, which means that there are some anomalies of the room that are preventing us from hearing everything we need to hear. Of course, this is even more pronounced in a home studio, where acoustics are many times just an afterthought. If that's the case, the Acoustic Power Lab APL1s loudspeaker equalization solution might be just the thing to help.
The APL1s is a two channel hardware box that provides and custom FIR filtering to your monitors to better integrate them into the listening environment.
The unit supports 48kHz and 96kHz operation and has a built-in sample rate convertor to compensate for a wide range of additional sample rates. The unit also features an ultra-low jitter clock (external sync is also available), and the outputs are protected by a power on/off anti-pop feature. There's also 16 presets available from a selector on the front panel.
There's also a variety of input and output connectors on the back panel, ranging from AES, TOSLINK, coax, or analog via XLR inputs and outputs.
The measurement software is either APL's own APL Workshop or APL TDA EQ, which is an extra cost. The results of the measurements are then loaded into the APL1s via a USB connector on the front panel.
The AES/XLR version of the Acoustic Power Lab APL1s is available for around $700 US, while TDA EQ software for around $365 US. Find out more on the APL website.
The APL1s is a two channel hardware box that provides and custom FIR filtering to your monitors to better integrate them into the listening environment.
The unit supports 48kHz and 96kHz operation and has a built-in sample rate convertor to compensate for a wide range of additional sample rates. The unit also features an ultra-low jitter clock (external sync is also available), and the outputs are protected by a power on/off anti-pop feature. There's also 16 presets available from a selector on the front panel.
There's also a variety of input and output connectors on the back panel, ranging from AES, TOSLINK, coax, or analog via XLR inputs and outputs.
The measurement software is either APL's own APL Workshop or APL TDA EQ, which is an extra cost. The results of the measurements are then loaded into the APL1s via a USB connector on the front panel.
The AES/XLR version of the Acoustic Power Lab APL1s is available for around $700 US, while TDA EQ software for around $365 US. Find out more on the APL website.
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