I'm very pleased to have the one and only Andrew Scheps on my latest Inner Circle podcast. Andrew has a long list of great mixing credits, from the Red Hot Chili Peppers to Adele to Metallica to Justin Timberlake and many more, and is one of uber-producer Rick Rubin's go-to mixers.
You can hear us talk about everything from mixing in the box, to parallel compression, to his approach to recording, to Andrew's very cool presentation on hi-res audio.
On the show intro, I'll talk about the study to find out who is actually buying all the vinyl that's being sold, and the super quick way to a onstage monitor mix or studio cue mix.
Remember that you can find the podcast either on iTunes or at BobbyOInnerCircle.com, and now also on Stitcher.
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Showing posts with label Rick Rubin. Show all posts
Showing posts with label Rick Rubin. Show all posts
Friday, January 9, 2015
Sunday, March 13, 2011
"Rolling In The Deep" - Adele Song Analysis
Here's an analysis of Adele's "Rolling In The Deep,
" a song which topped the charts not only in the US, but in countries around the world. The song is from her top selling album 21
. As always, we'll look at the basic elements of the song; the song itself, the arrangement, the sound and performance.
The Song - "Rolling In The Deep" is pop music at it's most basic in that it uses a bare bones form used by countless hit records. The form is:
This means the form is:
What makes this song bare bones is that there are no song intros, interludes or outros. In fact, the song ends pretty abruptly.
The Arrangement - Once again, this is about as formulaic as you can get. That being said, take special note because it works!! It's a clinic on how to arrange a song without anything extra getting in the way.
The song begins with just the eighth note guitar and lead vocal, which is joined by the kick drum in the 2nd half of the verse. In the B section, simple piano triads, the bass, and rest of the drums enter. See the development?
In the chorus, an strumming acoustic guitar and piano eighth notes push the song along as well as the entrance from the background vocal answers.
In the second verse, the low piano octaves on the 'one and', then the background vocals enter in the 2nd B section. See how the 2nd verse develops? In the second chorus the background vocals add a harmony to make that section different from the first.
The last verse and first out chorus breaks down to kick and fills (which seems to be happening in all the hits these days).
The arrangement elements look like this:
* The Foundation - bass and drums
* The Pad - there's not really a true pad, but in the B section, the piano playing whole note chords does it for a bit.
* The Rhythm - the eighth note guitar in the verse, the strummed acoustic and eighth piano in the chorus
* The Lead - the lead vocal
* The Fills - the background vocals and occasional clean lead guitar
The Sound - Nothing special here. Like all Rick Rubin productions, this is not that far away from the sound of a demo. The vocal has a pretty good sound with a nicely shaped long reverb, but the eighth note guitar is so dry that it really does sound like it's played in someone's garage. The drums have a big natural ambience that works, but isn't particularly great sounding. The lead vocal is a little on the squashed side, and has a click at 21 seconds that I'm not sure is on the master or just this video.
The Performance - Nothing special here except for Adele's vocal, which is great, as it should be. All the parts of the song a very simple, but they're performed well.
Feel free to send you your suggestions for future song analysis.
The Song - "Rolling In The Deep" is pop music at it's most basic in that it uses a bare bones form used by countless hit records. The form is:
Verse, B Section, Chorus | Verse, B Section, Chorus | Bridge, Verse, Chorus, Chorus, Chorus
This means the form is:
A, B, C, A, B, C, D, A, C, C, C
What makes this song bare bones is that there are no song intros, interludes or outros. In fact, the song ends pretty abruptly.
The Arrangement - Once again, this is about as formulaic as you can get. That being said, take special note because it works!! It's a clinic on how to arrange a song without anything extra getting in the way.
The song begins with just the eighth note guitar and lead vocal, which is joined by the kick drum in the 2nd half of the verse. In the B section, simple piano triads, the bass, and rest of the drums enter. See the development?
In the chorus, an strumming acoustic guitar and piano eighth notes push the song along as well as the entrance from the background vocal answers.
In the second verse, the low piano octaves on the 'one and', then the background vocals enter in the 2nd B section. See how the 2nd verse develops? In the second chorus the background vocals add a harmony to make that section different from the first.
The last verse and first out chorus breaks down to kick and fills (which seems to be happening in all the hits these days).
The arrangement elements look like this:
* The Foundation - bass and drums
* The Pad - there's not really a true pad, but in the B section, the piano playing whole note chords does it for a bit.
* The Rhythm - the eighth note guitar in the verse, the strummed acoustic and eighth piano in the chorus
* The Lead - the lead vocal
* The Fills - the background vocals and occasional clean lead guitar
The Sound - Nothing special here. Like all Rick Rubin productions, this is not that far away from the sound of a demo. The vocal has a pretty good sound with a nicely shaped long reverb, but the eighth note guitar is so dry that it really does sound like it's played in someone's garage. The drums have a big natural ambience that works, but isn't particularly great sounding. The lead vocal is a little on the squashed side, and has a click at 21 seconds that I'm not sure is on the master or just this video.
The Performance - Nothing special here except for Adele's vocal, which is great, as it should be. All the parts of the song a very simple, but they're performed well.
Feel free to send you your suggestions for future song analysis.
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Wednesday, May 19, 2010
6 Questions For Mediaman Seth Shapiro
You never really know someone until you interview them. This is true whether you know someone for 2 years or 20, because there are things they assume you know about them that you don't. Such is the case with my friend Seth Shapiro. I learned a lot about his previous life in this week's "6 Questions."
Seth is a principal in New Amsterdam Media LLC, a two-time Emmy winner, and he's managed digital media initiatives with the Walt Disney Company, DIRECTV, Comcast, TiVo, Time Warner Cable, Showtime, HBO, STARZ, Sun Microsystems, Universal, Goldman Sachs and a variety startups, venture and private equity partners. That's what his resume says. What it doesn't say is that he's a real music man with a rich background in the business. Oh, and he's also a principle in the The A&R Channel, an on-demand music network on Comcast.
I guess there were three things:
One - I got to work on one of the first Synclaviers in college... would up pulling all-nighters learning how sampling and additive synthesis worked. At 18 that was mind-blowing.
Two - I went to NYU behind Rick Rubin and watched him and Russell Simmons build Def Jam in my dorm. That changed my life.
Three - My life job out of college, insane as this is, was for a startup doing something called "Interactive Television" in Port Washington NY. This is years before the browser or even AOL - at least five years before email as a consumer thing. So that was just an astounding window into the future, and opened my eyes to something that I would up moving into full-time about 13 years later.
2) What makes you unique?
I guess I have a pretty wide range of experiences – have lived way outside the system, and in the belly of the system. So I probably see things in a lot of layers: creativity, innovation, finance, politics etc. There are multiple sides to every story.
3) Who was your biggest influence?
Maybe Japanese composer Ryuichi Sakamoto or David Bowie - the way they can take on different genres or media and bring who are they are to it- be true to the style- but somehow you always know it's them. Some writers like David Mamet or David Milch have that too - people who create from themselves. I really admire that.
4) What's the best thing about your job?
Being able to create something new.
5) When and where were you the happiest?
Today.
6) What's the best piece of advice you ever received?
When I was 15 - "Do not become a guitar player for a living" - from my teacher Dom Minasi, still the greatest guitarist I've ever met.
Seth is a principal in New Amsterdam Media LLC, a two-time Emmy winner, and he's managed digital media initiatives with the Walt Disney Company, DIRECTV, Comcast, TiVo, Time Warner Cable, Showtime, HBO, STARZ, Sun Microsystems, Universal, Goldman Sachs and a variety startups, venture and private equity partners. That's what his resume says. What it doesn't say is that he's a real music man with a rich background in the business. Oh, and he's also a principle in the The A&R Channel, an on-demand music network on Comcast.
------------------
1) How did you break into the business?I guess there were three things:
One - I got to work on one of the first Synclaviers in college... would up pulling all-nighters learning how sampling and additive synthesis worked. At 18 that was mind-blowing.
Two - I went to NYU behind Rick Rubin and watched him and Russell Simmons build Def Jam in my dorm. That changed my life.
Three - My life job out of college, insane as this is, was for a startup doing something called "Interactive Television" in Port Washington NY. This is years before the browser or even AOL - at least five years before email as a consumer thing. So that was just an astounding window into the future, and opened my eyes to something that I would up moving into full-time about 13 years later.
2) What makes you unique?
I guess I have a pretty wide range of experiences – have lived way outside the system, and in the belly of the system. So I probably see things in a lot of layers: creativity, innovation, finance, politics etc. There are multiple sides to every story.
3) Who was your biggest influence?
Maybe Japanese composer Ryuichi Sakamoto or David Bowie - the way they can take on different genres or media and bring who are they are to it- be true to the style- but somehow you always know it's them. Some writers like David Mamet or David Milch have that too - people who create from themselves. I really admire that.
4) What's the best thing about your job?
Being able to create something new.
5) When and where were you the happiest?
Today.
6) What's the best piece of advice you ever received?
When I was 15 - "Do not become a guitar player for a living" - from my teacher Dom Minasi, still the greatest guitarist I've ever met.
----------------------------------
Follow me on Twitter for daily news and updates on production and the music business.
Don't forget to check out my Music 3.0 blog for tips and tricks on navigating the music business.
Labels:
David Bowie,
Def Jam,
Rick Rubin,
Seth Shapiro
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