"Rope" has a somewhat typical song form but makes it different thanks to an altered feel and some unusual anticipations in the verses, and a very interesting bridge/solo section. The form looks like this:
Intro, Verse, Chorus, Interlude, Verse, Chorus, Bridge/Solo, Chorus, Half-intro, Outro
The song is really quite sophisticated in its creation even though it seems simple on the surface, which is a sign of a mature writer(s).
This arrangement of the song is very much like a garage band playing, but in a good way. There's a lot of thrashing and energy and a certain amount of freedom in the parts, just like a garage band, but at the same time it's all a very controlled chaos. Of course, this album really was recorded in singer/guitarist Dave Grohl's garage, so maybe they took it to heart.
The song is interesting in that it has a couple of rhythm guitars playing tremolo parts (the intro), then both guitar players banging away on rhythm guitar during the verse and choruses, instead of formulated parts like you hear on most songs. An overdubbed guitar that enters only at the syncopated verse turnarounds is about all the layering you'll find in the song other than the solo.
The bass is free floating and creates a nice tension against the chords in spots that's very cool, as is the drum solo in the bridge (when's the last time you heard one of those?). Interestingly, some of the cool lines that Nate Mandel plays are in the first verse rather then the second, where you'd typically change things up to sound different or develop the song.
Another interesting thing is that the second verse doesn't change much from the first so the song doesn't develop much, but I never notice this when listening to the song.
Taylor Hawkin's drums have sort of a high-class garage feel to them in that they sound great, but they also sound like they were recorded with a single stereo mic and maybe a kick drum mic. Notice that one drum, especially the snare, never feels separated from the other drums. That's something else you rarely hear these days.
The vocal seems pretty buried in the mix, but that only emphasizes the band more.
The song is pretty compressed but done well since you never notice it. It's also pretty much in your face ambience-wise with no long reverb tails. I'd venture to say that what you're hearing is natural ambience of the room most of the time.
The performance of all the players is what makes the song. Just as you'd expect from a band that's been together 10+ years, they smoke. You can feel the energy and enthusiasm that I wish more tracks had. Want an example of a great rock band? It's the Foos. And great production job Butch Vig.
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