1. Neumann U87: I've had a love/hate relationship with the 87 over the years, but I have to say that it's back on the love side of things. Without getting into splitting hairs on the models, I know what I'm going to get and the sound is always up to the high standard that I expect from the model. I love using it on toms, percussion, guitar and bass amps and vocals (especially in omni).
Royer R-121 |
3. AKG C414: Once again, you can split hairs over the models (there's no doubt that the older versions sound better), but I know what to expect from the mic and it generally does not disappoint. I'll use this most anywhere I'd use an 87 where the sound might need a bit more edge.
4. Neumann KM84: This is one of the best small diaphragm mics ever, in my opinion. I'll use a 184 if I can't get the real thing, but once again, it's not the same. I love it on the snare, hat and acoustic guitars.
Shure SM-7B |
7. Shure Beta 57: While many engineers swear by the regular old SM57 for guitars and snare, I like the newer Beta 57 better. It has a tighter pickup pattern so the isolation is better, and it's a little crisper. I'll use it on snare, guitar amps (along with a R-121), and hand drum percussion. I do prefer the older Beta 57 to the new 57A a little, but they're much harder to find these days.
Mojave MA-200 |
9. AKG C12: I have this down lower on my list not because it's not a favorite mic, but because you can't always find one. I love it on vocals, it's magic on overheads and with strings, and it's great on a bass amp (thanks Ken Scott, who uttered the words seared into my brain - "This is what I used to use on Paul.").
ADK 3 Zigma C-LOL-12 |
Once again, you might find some of the choices unusual. I'm not trying to say that other mics don't deserve to be on a top 10 list somewhere, but these are the ones I find myself reaching for if they're available.
What mics are on your list?
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6 comments:
Hello Bobby, do you think the SM7B is more versatile than the RE20 (in general and because of the presence boost option)?
Well, they're different, Chris. The RE20's big thing is that it has very little proximity effect, so you can get right up on it. I don't see one replacing the other, really.
Well, they're different, Chris. The RE20's big thing is that it has very little proximity effect, so you can get right up on it. I don't see one replacing the other, really.
Solid list my friend. I'm sure we readers would have some changes here and there— but all solid choices for the proper applications.
Thanks Bobby.
~TV
Nice list. Happy to see the AKG414 on there, as it often forgotten, but still one of my go to mics.
I'd add the MD421 to that list.
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