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Showing posts with label Auratone. Show all posts
Showing posts with label Auratone. Show all posts

Monday, November 2, 2015

New Music Gear Monday: The New Auratone 5C

New Auratone 5Cs
There was a time even before Yamaha NS10's became pervasive that the little Auratone 5C "Super Sound Cube" was the small reference monitor of choice for just about any mixing engineer.

The Auratone was built to simulate the typical television speaker of the time. It was made to sound crappy, because that's what consumers were listening to every day. The good thing for mixing engineers was that if you got your mix to sit well on Auratones, then the mix would sound great on everything else as well.

Through the years Auratones fell out of favor, not because of their sound but because they were no longer available. Jack Jacobson, designer of the 5Cs, passed away and the company abandoned operations as a result.

While many Auratone imitations have come and gone since, engineers still longed to purchase a new pair of the real thing or even replacement parts for old ones.

The good news is that the Auratone has been resurrected by Jack's grandson Alex, who's managed to recreate an 80s version of the 5C exactly the way it used to be. There's a single 4 1/2 inch paper cone driver inside a 6 1/2 inch sealed cube box. Unlike almost all monitors today that are self-powered, you need to supply your own amplifier for the 5Cs, just like in the old days.

Auratones are now available for $350 a pair. You can find more information at auratonesoundcubes.com. There's also a nice video below that tells the story of why they're so useful.

The 5C's are some of the most honest monitors available. It will make a bad mix sound bad, and a good mix sound good, and that's exactly what you want from a reference speaker.



Sunday, October 7, 2012

New Music Gear Monday: Reftone Monitors

Reftone monitors image from Bobby Owsinski's Big Picture blog
Any of you "classic" engineers reading have probably used Auratone 5Cs at some time during your career, but since they haven't been made for some time, most of today's engineers have not yet had the pleasure.

The Auratone (or "Horribletone" or "Horrortone" as many called it in the day) was a 3 1/2 inch speaker in a very small un-ported square cabinet. Unlike virtually all other speakers, it was never meant to sound good, only an average of the typical consumer playback system of the time. It fact, it sounded mediocre at best and that's why studio rats liked it way back when. If your mix sounded great the Auratones, then you could be pretty sure that it sounded great anywhere.

The fact is that the Auratone 5C was the first more or less "standard" reference speakers for the studio, way before the Yamaha NS-10C held that distinction. But just like the NS-10, the Auratones haven't been manufactured for some time. As a result, you now see them on Ebay for $500 a pair or even more. As with all things vintage, many engineers who discarded their 5Cs years ago now wish they had them back.

And now they are, brought back to life as the Reftone, a new representation of something that so many found so useful in the past. The brainchild of engineer Dave Hampton, who had previously built custom versions for Prince and Herbie Hancock, the monitor is updated with a new heavy-duty shielded driver and made from birch instead of MDF. Plus they have a slightly smaller footprint than the original Auratone 5C. That said, the word is that they still sound very close to the old Auratones.

Reftones retail at $299 a pair and are available in a variety of different colors and wood enclosures. By the way, these speakers are passive, so you have to supply your own amp. The amp/speaker combination is critical so there's a list of amp suggestions of the Reftone site.

You're not going to get big thumping bass out of these things, but that's not the point. It's the midrange that so important to definition in a mix, and that's what these are best at. Here's a short video from producer Randy Emata regarding the monitors.


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