1. Take a listen to the long delayed reverb on the verse vocals. This is muted in the choruses so the vocal feels more intimate.
2. The chorus features a doubled lead vocal up the center, while the harmonies are panned to the outside.
3. You can clearly hear a punch in at 2:43 and 2:53, a relic from the old tape days.
4. The harmony vocals are doubled and panned left and right during the bridge at 2:39.
5. Note the flange on the last lead vocal line at 3:30.
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1 comment:
Wonderful! Nice technique and performance. Thanks for sharing.
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